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Broadway Palm Dinner Theatre's version of "Seussical," playing through August 15 is short on story and the pop art oomph that characterizes the work of Theodore Geisel, but long on heart.
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There's a lot less bite in "Dinner for Schmucks" than there was in the classic French farce that was its inspiration. Whereas "The Dinner Game" ("Le Diner de Cons") from celebrated writer-director Francis Veber was a tight, sharp satire of societal pretension — and was nominated for six Cesar Awards in 1999 — this remake seems more interested in easy, broad slapstick.
Continue »Marco’s art lovers were out in force Wednesday evening. The last Wednesday of each month brings another Art Walk to the Artist Colony at the Esplanade, and scores or hundreds of patrons braved stormy skies to come out, peruse the work, and cast their votes for the People’s Choice award.
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Zac Efron and the rest of the crew behind "Charlie St. Cloud" want their movie to be weepy, soulful, inspirational, cathartic, ethereal, life-affirming and who knows what else on the New Age emotional barometer. Too bad they didn't aim to make it a little interesting.
Continue »Little kids and tweens — girls, specifically — will probably eat up “Ramona and Beezus,” or at least be suitably amused by it. They won’t be troubled with things like a lack of plot or narrative momentum. It won’t bother them that a character’s hair gets awkwardly hacked up after a battle with peanut butter, then appears magically restored to its original length soon afterward.
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