Review: 'Dinner for Schmucks' an unsatisfying meal
Please download the latest version of Adobe Flash Player, or enable JavaScript for your browser to view the video player.
Photo Gallery
Publicity images: Dinner for Schmucks
Film publicity images from "Dinner for Schmucks."
Photo Gallery
"Dinner for Schmucks" movie premiere
The premiere of "Dinner For Schmucks" was held at The Ziegfeld Theater, in New York on Monday, July 19, 2010.

Rated PG-13 for sequences of crude and sexual content, some partial nudity and language
Length: 110 minutes
Released: July 30, 2010 NationwideScore: 3.0
Cast: Paul Rudd, Steve Carrell, Stephanie Szostak, Jemaine Clement, Zach Galifianakis
Director: Jay RoachProducer: Laurie MacDonald, Walter F. Parkes
Writer: Ken Daurio, David Guion, Michael Handelman, Cinco Paul, Francis Veber, Jon Vitti
Genre: Comedy
Distributor: Paramount Studios
There's a lot less bite in "Dinner for Schmucks" than there was in the classic French farce that was its inspiration.
Whereas "The Dinner Game" ("Le Diner de Cons") from celebrated writer-director Francis Veber was a tight, sharp satire of societal pretension — and was nominated for six Cesar Awards in 1999 — this remake seems more interested in easy, broad slapstick.
That's unsurprising coming from Jay Roach, director of the "Austin Powers" movies, "Meet the Parents" and "Meet the Fockers." Still, Roach takes his sweet time getting to the big, wacky evening at the film's climax. "Dinner for Schmucks" is 34 minutes longer than its predecessor, and feels like it. As Steve Carell and Paul Rudd get to know each other during a series of mishaps and misunderstandings, the pacing drags and the script takes this twosome through some seriously time-consuming, hit-and-miss detours en route to a predictably safe ending.
But Carell, being the smart, sensitive comic actor that he is, infuses what might have been an insufferably obnoxious character with some real humanity. You come to care about this guy, especially once you learn how he stumbled into his sad-sack life. The same can't be said for Rudd's character — the straight man in the equation — because he's drawn so plainly, it's hard to feel emotionally invested in whether he suffers or succeeds.
Rudd stars as Tim Conrad, a financial analyst on the verge of a promotion at a competitive private equity firm. But first, he must impress his boss (Bruce Greenwood) at a secret monthly dinner where the company elite compete to see who can bring the biggest idiot as their guest. Tim's sophisticated girlfriend Julie (Stephanie Szostak) is appalled at the cruelty of this concept but — clearly being an idiot himself — he goes through with it anyway, hoping to impress her enough that she'll finally say yes to his repeated marriage proposals. Flawed logic, but whatever.
When Tim literally runs into Barry Speck (Carell), a kindhearted IRS employee and amateur taxidermist, he knows he's found his schmuck. In the original film, the poor, unsuspecting fool builds models of famous monuments using matchsticks. Barry makes intricate dioramas using dead mice he's lovingly dressed up and placed in whimsical settings; the details of them, highlighted at the film's start, are hilarious and awesome at once.
Being clueless about everything else in life, though, Barry gets his nights mixed up and gloms onto Tim early. Since he's such a decent fellow, he tries to help Tim out of a series of sticky situations but, naturally, only makes things worse. This includes making Julie think he's having an affair with a psycho stalker (Lucy Punch) and breaking into the loft of an arrogant artist and notorious womanizer (Jemaine Clement) who's one of Julie's top clients. They also run into Zach Galifianakis, underused in a one-note role as Barry's work rival who fancies himself an expert in mind control.
Too often, these scenarios are uncomfortable for the viewer — not because of their intended awkward comedy, but because they're just plain tedious to watch.
But Clement, best known for "Flight of the Conchords," is a total scream here, cut very much from the same skintight cloth as Russell Brand in "Forgetting Sarah Marshall" and "Get Him to the Greek." It's as if he exists in his own movie — a deliciously weirder and infinitely more interesting one.
---
"Dinner for Schmucks," a Paramount Pictures release, is rated PG-13 for sequences of crude and sexual content, some partial nudity and language. Running time: 114 minutes. Two stars out of four.



Comments » 0
Be the first to post a comment!
Share your thoughts
Comments are the sole responsibility of the person posting them. You agree not to post comments that are off topic, defamatory, obscene, abusive, threatening or an invasion of privacy. Violators may be banned. Click here for our full user agreement.